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L’Istituto centrale per la grafica e l’Academia Belgica presentano una mostra di disegni e stampe provenienti dalle collezioni pubbliche e private delle maggiori istituzioni culturali del Belgio. La mostra è posta sotto l’Alto Patronato del Presidente della Repubblica Italiana e di Sua Maestà il Re dei Belgi. L’esposizione illustra attraverso materiali grafici la multiforme varietà scenografica del Barocco fiammingo nei secoli XVII e XVIII, alla luce del Barocco romano, cuore e motore della cultura artistica dell’Europa di quei secoli. Nel Museo dell’Istituto centrale per la grafica saranno esposte oltre 100 opere, tra cui fogli di Giovan Lorenzo Bernini, Alessandro Algardi, Pieter Verbruggen, Philipp Schor, Pieter De Jode, e incisioni da invenzioni di Pieter Paul Rubens, Andrea Pozzo, Domenico Fontana, provenienti dalla Biblioteca Reale del Belgio e dal Musée de la Ville di Bruxelles, dal Museum Plantin-Moretus di Anversa e dal Musée des Beaux-Arts di Liegi; da archivi ecclesiastici belgi; dalla Bibliotheca Hertziana di Roma, e una selezione di disegni, stampe, matrici appartenenti alle collezioni dell’Istituto centrale per la grafica. La mostra invita il visitatore a scoprire la ricchezza dell’architettura e della scultura fiamminga attraverso opere grafiche che rivelano l’influenza decisiva della Roma barocca come fonte di ispirazione per gli artisti fiamminghi. Le sezioni tematiche sono dedicate alle scenografie barocche di chiese, con altari, confessionali, pulpiti; al soggiorno romano degli scultori fiamminghi e alle opere di figura; alle celebrazioni religiose e civili e alle feste, con cavalcate, parate, sfilate di carrozze, e alla celebrazione della Morte con catafalchi e monumenti funebri. Il catalogo, con numerosi saggi di studiosi del Barocco internazionale e le schede delle opere esposte, è edito da De Luca Editori d’Arte. L’iniziativa fa parte di un più ampio progetto triennale (2015 – 2017) dal titolo I fiamminghi e l’Italia, finanziato dal Fonds Baillet Latour di Lovanio, teso a sottolineare l’importanza storica del contributo del Belgio allo sviluppo della cultura italiana, e viceversa, con lo scopo di promuovere la ricerca scientifica e le relazioni tra l’Italia e il Belgio. La collaborazione istituzionale tra l’Istituto centrale per la grafica e l’Academia Belgica, centrata sulla formazione, la divulgazione, la museologia della grafica, è nata nell’estate del 2015 in occasione delle iniziative didattiche a cura del servizio educativo nell’ambito della Summer School con lezioni e visite guidate alle collezioni dell’Istituto sul tema Il mercato delle Stampe in Italia e il contributo “fiammingo” XVI – XVII secolo. Durante il periodo della mostra sono previste attività divulgative e didattiche, seminari e conferenze sul Barocco romano e fiammingo.

Sculpture, Baroque --- Drawing --- Sculpture --- design drawings --- anno 1600-1699 --- Exhibitions --- Art, Baroque --- Drawing, Baroque --- Drawing, Belgian --- Drawing, Flemish --- Influence

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Et si le paysage n'était pas seulement un genre pictural, mais aussi une construction culturelle et sociale... Des décors peints aux jardins, des parcs de chasse aux cartes géographiques, les formes changeantes du paysage révèlent les intérêts territoriaux d'une élite aux yeux de qui posséder la terre revêtait une dimension éminemment symbolique. Rome à la Renaissance offre un terrain d'observation idéal pour comprendre la nature de ces enjeux et leurs modalités. A travers l'analyse d'un riche corpus de vues peintes dans les loges des palais - paysages de villes ou de campagnes, séries de villas ou de bourgades -, ce livre met en oeuvre une "archéologie du regard" en conviant le lecteur à une promenade dans ces lieux de mémoire et de pouvoir.

Environmental planning --- Painting --- anno 1500-1599 --- Rome --- Landscapes in art --- Gardens --- Landscape architecture --- Jardins --- Jardins dans l'art. --- Paysages dans l'art. --- Histoire --- Aspect social --- History --- Design --- Landscape design --- Mural painting and decoration --- Architecture du paysage --- Aménagement paysager --- Peinture et décoration murales --- Political aspects --- Architecture --- Aspect politique --- Gardens - Rome --- Gardens - Social aspects

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Architecture [Medieval ] --- Architecture médiévale --- Architectuur [Middeleeuwse ] --- Bouwkunst [Middeleeuwse ] --- Building --- Constructie [gebouw ] --- Construction (Bâtiments) --- Medieval architecture --- Middeleeuwse architectuur --- Middeleeuwse bouwkunst --- Vervaardiging (gebouw) --- Architecture, Medieval --- Architectural drawing --- Building guilds --- Dessin d'architecture --- Construction --- Technique --- Corporations --- History --- -Middle Ages --- Architectural engineering --- Buildings --- Construction science --- Engineering, Architectural --- Structural design --- Structural engineering --- Architecture --- Construction industry --- History. --- Design and construction --- -History. --- -Architectural engineering --- Architecture médiévale --- Middle Ages --- Civil engineering. Building industry --- Medieval [European] --- anno 500-1499 --- Architecture, Medieval - Europe --- Building - Europe - History

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Baroque --- Tessin, Nicodemus --- Tessin, Nicodemus, --- Tessin, Nicodemus, the elder --- 72.034 <48> --- Architectuur van de renaissance; barok; rococo en koloniale stijl--Skandinavië --- Tessin, Nicodemus, the elder, --- architectuur --- Architecture --- barok --- architecture [discipline] --- Sweden --- Architecture, Modern --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- History --- Design and construction --- Criticism and interpretation. --- Criticism and interpretation --- Tessin, Nicodème --- Architecture, Primitive --- Architecture - Sweden - History --- Architecture, Modern - 17th century --- Tessin, Nicodemus, - 1615-1681 - Criticism and interpretation --- Tessin, Nicodemus, - 1654-1728 - Criticism and interpretation --- Tessin, Nicodemus, - 1615-1681 --- Tessin, Nicodemus, - 1654-1728

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Few Renaissance theorists have influenced the development of western architecture as much as Sebastiano Serlio (1475-1554). The collection of books which represents his lifetime's work was to become invaluable to the majority of northern European architects who, never having seen Rome, none the less marvelled at Italian antiquities. Hence when Christopher Wren designed St. Paul's cathedral, and when John Wood designed the streets of Bath, both architects had Serlio's books to hand. On his death Serlio had published the first five volumes of the planned seven-book treatise, and had witnessed their enormous popularity, especially amongst the many patrons and architects eager to emulate the splendours of antiquity and of Italian courts which sought her renaissance.Serlio's treatise begins with the rules of geometry and perspective, described in books one and two respectively, knowledge of which formed the traditional preserve of the painter. Serlio's beautiful woodcut illustrations in book three record the Golden Age of the Roman Empire, her Baths, Temples, Palaces and Arches, whilst his text in book four outlines the rules for designing modern elements ranging from fireplaces to facades based on these monuments. To the Tuscan, Doric, Ionic and Corinthian columns which had been discussed by the Roman author Vitruvius and the great quattrocento philosopher-architect Leon Battista Alberti, Serlio added the Composite and thereby established a canon of five Orders which held authority for over a century. The fifth book illustrates the use of these Orders in twelve temple designs of his own invention.This translation of Serlio's first five books by Vaughan Hart and Peter Hicks replaces the only other English version, that produced in 1611 by Robert Peake, whose source was not the original Italian but a corrupt Dutch translation. As such this is the first English translation of Serlio's work to be based on his own editions and the first collection in any language of all five books taken from Serlio's corrected originals. It represents a major step in the recognition of Sebastiano Serlio as the most important architectural writer of the sixteenth century.

architectuur --- architecture [discipline] --- Architecture --- Serlio, Sebastiano --- 094:72 --- 094:742 --- -Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Architectuur. Bouwkunst --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Perspectieftekenen --- Early works to 1800 --- Design and construction --- Early works to 1800. --- -Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Architectuur. Bouwkunst --- 094:742 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Perspectieftekenen --- 094:72 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Architectuur. Bouwkunst --- 72.034 <45> --- Architectuur van de renaissance; barok; rococo en koloniale stijl--Italië --- Serlio, Sebastiano, --- 72.034 <45> Architectuur van de renaissance; barok; rococo en koloniale stijl--Italië --- 72.01 --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect --- -094:742 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Perspectieftekenen --- Architecture, Primitive --- Architecture, Western (Western countries) --- -Architecture, Primitive --- Architecture - Early works to 1800 --- Architecture - Ouvrages avant 1800 --- -Early works to 1800